When a foreigner resides among you in your land, do not mistreat them. The foreigner residing among you must be treated as your native-born. Love them as yourself, for you were foreigners in Egypt. I am your God – Leviticus 19:33-34.
Consequently, you are no longer foreigners and strangers, but fellow citizens with God’s people and also members of his household, built on the foundation of the apostles and prophets, with Christ Jesus himself as the chief cornerstone. In him the whole building is joined together and rises to become a holy temple in the Lord. And in him you too are being built together to become a dwelling in which God lives by his Spirit – Ephesians 2:19-22.
Hamlet’s idea is to catch out his uncle Claudius, who has usurped the throne by killing Hamlet’s father. So the meta-theatrical prince devises a plan to have the murder acted out in front of the murderer: “guilty creatures sitting at a play”, he says, cannot tolerate it when their sins are portrayed to them by actors, and so they “proclaim their malefactions” — they are forced to confess. As expected, Claudius betrays himself through his outraged response to Hamlet’s play. He falls into the trap of mimesis, confusing the work of art for the real world, precisely because it aggravates his guilty conscience. Zuma and his allies, through their over-reaction to Murray’s art, are in fact acknowledging that there is some merit in its critique. Claudius calls off Hamlet’s play; Zuma wanted The Spear removed from the gallery; two “free radicals” pre-empted any court decision by defacing the painting. But although Zuma and his supporters have pretended to be offended by the artist, or may even have convinced themselves they are truly offended, like King Claudius they will soon privately admit: “O, my offence is rank — it smells to heaven!” – Chris Thurman in Business Day
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