[T]he moral point of the matter is never reached by calling what happened by the name of ‘genocide’ or by counting the many millions of victims: extermination of whole peoples had happened before in antiquity, as well as in modern colonization. It is reached only when we realize this happened within the frame of a legal order and that the cornerstone of this ‘new law’ consisted of the command ‘Thou shall kill,’ not thy enemy but innocent people who were not even potentially dangerous, and not for any reason of necessity but, on the contrary, even against all military and other utilitarian calculations. … And these deeds were not committed by outlaws, monsters, or raving sadists, but by the most respected members of respectable society.
Sexual harassment, we might then say, is the great male performative, the act through which a man aims to convince his target, not only that he is the one with the power – which is true – but also that his power and his sexuality are one and the same thing. As Judith Butler has argued, the performative is always melancholic, since the performer knows the role they are enacting is no more than skin deep (‘melancholic’ also because of all the other buried and unconsciously grieved sexual lives one might have led).
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