Quote of the week

Mr Zuma is no ordinary litigant. He is the former President of the Republic, who remains a public figure and continues to wield significant political influence, while acting as an example to his supporters… He has a great deal of power to incite others to similarly defy court orders because his actions and any consequences, or lack thereof, are being closely observed by the public. If his conduct is met with impunity, he will do significant damage to the rule of law. As this Court noted in Mamabolo, “[n]o one familiar with our history can be unaware of the very special need to preserve the integrity of the rule of law”. Mr Zuma is subject to the laws of the Republic. No person enjoys exclusion or exemption from the sovereignty of our laws… It would be antithetical to the value of accountability if those who once held high office are not bound by the law.

Khampepe j
Secretary of the Judicial Commission of Inquiry into Allegations of State Capture, Corruption and Fraud in the Public Sector including Organs of State v Zuma and Others (CCT 52/21) [2021] ZACC 18
28 February 2017

On Beyoncé and Moonlight

D. Scott Miller, author of the “Afrosurreal Manifesto” claims that Afro-Surrealists “transform how [they] see things now, how [they] look at what happened then, and what [they] can expect to see in the future.” They “distort reality for emotional impact” in order to tap into the surreal experiences of reality. Scholar Ytasha Womack deems this bending of time in the Afrosurreal aesthetic as constructing “little difference between the dream world and the waking one.” The atmospheric settings of [the movie] Moonlight and [Beyoncé’s] Lemonade do just that — they make traumatic events of the character’s present experience appear to be visually magical.

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