It seems that the more places I see and experience, the bigger I realize the world to be. The more I become aware of, the more I realize how relatively little I know of it, how many places I have still to go, how much more there is to learn.
Travel changes you. As you move through this life and this world you change things slightly, you leave marks behind, however small. And in return, life — and travel — leaves marks on you.
The journey is part of the experience — an expression of the seriousness of one’s intent. One doesn’t take the A train to Mecca.
D. Scott Miller, author of the “Afrosurreal Manifesto” claims that Afro-Surrealists “transform how [they] see things now, how [they] look at what happened then, and what [they] can expect to see in the future.” They “distort reality for emotional impact” in order to tap into the surreal experiences of reality. Scholar Ytasha Womack deems this bending of time in the Afrosurreal aesthetic as constructing “little difference between the dream world and the waking one.” The atmospheric settings of [the movie] Moonlight and [Beyoncé’s] Lemonade do just that — they make traumatic events of the character’s present experience appear to be visually magical.
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