The law, like the suburban American house, is designed to order a particular pattern of relationships, many of them oriented around the heterosexual nuclear family. For real people in contemporary circumstances to inhabit the house the law built, one has to find side doors and discreet corners, while the dominant space changes little and the façade remains unaltered. The two big L.G.B.T.-rights Supreme Court victories that came before Bostock—Windsor and Obergefell—did exactly that: they carved out a place for monogamous same-sex couples who want to marry (statistically, these are more apt to be white middle-class people like the plaintiffs) in the house of the American nuclear family.
Wonder Woman allows its heroine all the trappings of free, courageous, independent womanhood. It even cheers her on when she bashes up men. It merely propagates the unhelpful myth that if a woman is nice enough, pretty enough, feminine enough, she can do such things without ever causing offense, or being called a bitch. Really, if you want feminist inspiration, you’re better off skipping Wonder Woman and going back to watch the wiseacre heroines of the 1940s: the ones played by Bette Davis, Katharine Hepburn, Rosalind Russell, and Barbara Stanwyck.BACK TO TOP